Wes Flexner’s Rock N Roll Show 10-1-2025


anon flyer
El Hajj El Malik El Shabbazz Speaks About Palestine
Turnstile – Mystery
Bus Stile Adventures: 


Turnstile Columbus, Ohio 9-23-2025 Kemba Live



by Wes Flexner aka ANONANONANON




Turnstile’s singer Brenden Yates singer thanked Columbus for Turnstile’s bassist Franz Lyons towards the finale of Turnstile’s Kemba live outdoor show. 
Turnstile’s set in front of 5,200 people under the heavens started with the embracing ambiance of Never Enough which thundered once the guitars, and drums kicked in.
Kids moshed with a collective exuberance after the introduction pronounced allure of hardcore’s promise.


Turnstile is from Baltimore. 
Franz is from Columbus.
I’d watched Turnstile’s last Columbus show in front of a sold-out Kemba indoor show of 2,300 people in 2022.
Turnstile doubled their Columbus audience and then some.
Kemba’s new attendees included people who knew Franz but weren’t familiar with Turnstile’s music.
LOD Embassy Boardshop Columbus was now accompanied by Cafe Bourbon Street alumni circa 2009, Old Town East skateboarding, and over 5000 thousand teenagers.
Walking around Turnstile’s show was  kinda like Comfest meets Camp Flog.
Three 6 Mafia w Lil Noid – Ridin in The Chevy
Gorilla Biscuits – Degradation
Karma-Ann Swanepoel – Once
Weedsteeler
Mavis Staples + William Bell – Strung Out Over You
Weedsteeler
Joi w Sleepy Brown – Lick
Weedsteeler
Barry White – It’s Only Love Doing Its Thing
Weedsteeler
Wizzard – Meet Me At Jailhouse
Black Keys w Beck w Juicy J – Paper Crown

92.7 / 98.3 wcrsfm.org  
Wednesdays 7pm
wesflexner@anonrocknroll.com
Weedsteeler
Turnstile – Never Enough

Shawn from Vomitrocity/Weedsteeler + Franz Lyons of Turnstile  9-23-2025 Columbus, Ohio

2022 Turnstile indoor show was in support of Turnstile’s album Glow-On 
2025’s outdoor show was in support of Never Enough.
Never Enough showed a new discovery in post-hardcore compositions.
Turnstile added the understanding of 70’s jazz textures and Eno in melody.
Turnstile’s frosting is likely derived from working with Badbadnotgood and Blood Orange.
Badbadnotgood is a Canadian jazz band who covers DJ Premier, J-Dilla, and Tribe Called Quest. Badbadnotgood worked with Wu’s  Ghostface, Earl Sweatshirt, Danny Brown and Tyler, the Creator.
Turnstile didn’t imitate legendary samples. Turnstile understood why these sounds worked in feeling and arrangement.
Turnstile’s other like minded collaborator Dev Hynes, and Blood Orange opened for Turnstile. 
Dev Hynes sounds like if Prince, and Micheal Jackson made lounge music for various 70’s films.
Turnstile innovated: if you need music between mosh riffs….what should it sound like?
As Turnstile pleased Kemba with Never Enough, TLC, Endless, I Care/Dull, and Don’t Play
I realized Turnstile had solved the 311 problem.
Turnstile is a heavy band who like compositional arrangements
During Turnstile’s Real Thing… I realized the root of Turnstile’s 311 problem: Fugazi.
Franz plays a bass line influenced by Joe Lally of Fugazi.
Fugazi took 3 chord punk into jazz fusion.
Turnstile is known as the world’s most popular hardcore band.
I watch Turnstile every couple of years.
Turnstile tours every continent every evening while I’m walking around Columbus, Ohio.
The most logical insult for a hardcore band with musical moments.
311…
If 311 fans attend Turnstile shows..
I assure you Turnstile welcomes you as people.
Turnstile wouldn’t be the world’s more popular hardcore band if it wasn’t for Fugazi’s influence on punk culture.
Theme From Soap
Rip Assata Shakur
BadBadnotgood – Mass Appeal
Turnstile – Sailin
Fugazi is why Turnstile shows are fun for high school kids.
Fugazi were against violence, sexism, homophobia, and racism.
Fugazi play all ages shows in an ecosystem conducive for nurturing organisms.
Franz Lyons is a product of the Legion of Doom punk community, and the Daymon Dodson Hip Hop community.
People can mosh without violence escalating
Franz’s understanding of fun interacted well with Baltimore youth culture which is known for Baltimore Club dance music, and a hardcore scene with a proximity near Washington DC’s Dischord/Fugazi community.


Does dancing with Lynn Collins energy meets Margin Walker sound fun?
Hardcore Is dance music …mosh mosh mosh.


Turnstile continued with Drop, Light Design, Come Back For More/Fazed Out, Sunshower, 7, Keep it Moving, Pushing Me Away, Fly Again, and Seein Stars.
I walked up into the highest part in Kemba so I could see if large audience killed the fun.


Outdoor moshing didn’t decrease fun.


Franz started his hardcore existence in basements of 20 people.. 
Turnstile’s circle pit during Sole was backed up with people standing in a field waving their arms which filled Kemba’s amphitheater.
I looked at ardent girls who were jumping up and down with excitement.


Turnstile crushed from everywhere in Columbus open air.
I realized Turnstile’s hardcore circle pit sections were thrash.


Metallica play stadiums.  Metallica is music’s biggest draw.
Turnstile’s newest member Meg Mills muted chords and fragmented solo riffs were oscillating with an intense precision.
I’m viewing a lady head-banging ripper.


During Holiday I laughed. I walked around the entire periphery during the next song.
I realized Turnstile understood the logical progression for a professional hardcore band is thrash. 
 Turnstile were now a live Thrash band with snippets which understood Badbadnotgood, and Blood Orange’s proto- Hip Hop inspiration.


Meg Mills riffs churned in a miniskirt.
Blood Orange then joined Turnstile for Alien Love Call.
Turnstile’s new wave sounds worked with a disco-ball lighting which understood why Charlie XCX fans gravitate into arena techno settings while Turnstile sounded like Talking Heads or Duran Duran instead of Tiesto.
Turnstile’s drummer Daniel Fang  switched up the rhythms. 
I saw kids mosh while Daniel Fang played a drum solo with an almost Eddie Palmieri swing.


Turnstile’s singer Brendon Yates then yelled:
FREE PALESTINE as the introduction music for Mystery permeated our circumference. 
The entire KEMBA screamed in a futile victory which didn’t feel futile.
Thrash boomed from Meg Mills fret while Mystery’s expose commenced.


Meg Mills riffs were FREEING PALESTINE.
Franz Lyons’ bass lines were FREEING PALESTINE.
My friend FRANZ LYONS FREEED PALESTINE..
DIY COLUMBUS CULTURE’S FRANZ LYONS FREED PALESTINE.
Daniel Fang’s drumming FREED PALESTINE.
Pat McCory’s riffs were freeing Palestine.
Brendon Yates just declared FREE PALESTINE in Columbus, Ohio.
We all agreed. 
PALESTINE was now FREE.


Turnstile’s truth opened the road for a two state solution with a functional economy, and electoral process.
Texas oil oligarchs were notified by Muslim oil oligarchs.
Meg Mills Riffs inspired Allah’s intervention.
Oil prices skyrocket if Allah’s people suffer.
Putin’s oil power was used in a marxist human solidarity.
Israel agreed Meg Mill’s fretwork found riffs in sync with humanity.
Netanyahu was replaced with a leader who reflects a progressive ruach.
Israel has socialized healthcare. Our taxpayers fund genocide. 
Texas oil companies and Benjamin Netanyahu were outvoted by Allah, Yahweh, Karl Marx, America’s population and Joe Lally.
PALESTINE was now FREE.


Meg Mills riffs changed everything. Meg Mills riffs reminded everyone of ideal purity of every culture in existence.


Welp, Mystery at least showed a simple idea was understood.


Benjamin Netanyahu’s exploitive imperialism and Hamas rapists are both horrible and bad faith. Benjamin Netanyahu’s exploitive imperialism and Hamas rapists gave us ICE raids, a looming recession and an opinion about Charlie Kirk.


Turnstile’s audience knew…You can’f fool the youth. 


People in Palestine shouldn’t be decimated for implementations of fascism.


I found myself jumping up and down.
YOU CAN’T FOOL THE YOUTH.
The Truth is out there.
Turnstile then rocked Blackout.
Turnstile freed Palestine. 


We all saw Turnstile Free Palestine in Columbus, Ohio.
Turnstile’s finale was Birds which sounds like Lupe Fiasco’s Dumb it Down introduction leading into Fearless Vampire Killers by Bad Brains.




PS. 
Turnstile didn’t Free Palestine 9/23/2025 despite Turnstile’s alignment with truth.
Turnstile’s understanding of truth could Free Palestine!
If the new generation Frees Palestine with social movements and everyone voting……
Did Turnstile Free Palestine 9-23-2025? 
Did Turnstile deliver hardcore’s promise 9-23-2025 in Columbus?

December 20, 2024 Review: Lupe Fiasco Columbus, Ohio Concert

Lupe Fiasco December 20, 2024

Lupe Fiasco’s Bustown’s show again reminded me of Hip Hop’s potential.

Lupe’s show started with Lupe rocking Number 1 Headband off Fiasco’s album 2024 album Samurai.

Number 1 Head Band starts with Lupe jazz humming into a chorus…“a little bit of bone bone bone”  which conjured Ella Fitzgerald’s influence on FreeStyleFellowshipThugzNHarmony in the MiddleofBarnintoA$ap Rocky etc in 10 seconds and arrives at a Charli XCX Brat’s reference.

Columbus Atheneum was filled with people and positive energy.

Columbus Athenaeum … packed.

I sat in the seats….arenas and smart tv have changed my preferred concert settings.

I sometimes find the front of the audience.

Other times I sit down and enjoy the show.

I find concerts cerebral participation.

The importance of Lupe’s vibrance December 20, 2024.

Kamala Harris reminded me of Hip Hop’s potential.

Then after that election…

I felt a tremendous disappointment in the amount of liars and bigots.

I felt like Holden Caulfield reading books about Cointelpro.

I like rap.

I like punk.

 I like women.

Lupe played Palaces off Samurai.

I knew the lyrics.

Everyone in the room knew the lyrics.

As of November 6, 2024,  I don’t like people except everyone at the Lupe concert.

We were sent into a time before Obama….

I’d became a teenage skateboarder……

I’m writing books about a new Cointelpro which I’ve determined is also a psyops..

After that election…

I’m sitting in my living room.

I’m a teenager.

I want naked ladies, food and rap.

Friday night, I’m sitting in Columbus Athenaeum which makes every concert feel special.

I’m watching a room full of Hip Hoppers who are excited about Lupe Fiasco in 2024.

Lupe’s audience is predominantly young black people.

I’m watching Lupe’s delivering Hip Hop’s promise.

A dope mc transcends any context.

We’re all being reminded..

Hip Hop defeated white supremacy several times without quite as much people power.

Lupe’s song Samurai off his latest album’s Samurai receives a similar response.

People know Lupe’s new album line for line.

Lupe was once on Kanye’s 2004 Touch the Sky.

Lupe isn’t riding a platinum feature in 2024.

Everyone in that room knew Lupe’s new music.

Lupe then raps, Kick Push.

I’d forgotten Lupe released a song about skateboarding.

Lupe’s manages a discussion about relationships in the midst of individualistic passions.

I’m wondering if Virgil played Jesus Lizard for Ye, and Lupe.

Lupe’s audience is much younger than Virgil’s late 80’s skating..

Virgil’s importance was taking 80’s skating iconography into 2016 Hip Hop fashion.…

Regardless if you like Glenn Friedman, or Atiba Jefferson’s images of teenage rebellious creativity…

Lupe describes something every skaters’ experiences.

Police kick skaters out of skate spots..

Romance..

Passion…

Lupe’s music, and raps were clear, crisp while the simple melody and drums reminded everyone of liking something.

I’m really angry about people participating in lies, white supremacy and misogyny renewing a 4 year commitment into something I wasn’t ever interested in.

Kick Push reenforced my instincts of counterculture’s beauty.

During the show…someone kept yelling H-Town..

Lupe acted annoyed at the interruption …

Lupe acted like someone showed up in Chicago screaming “Where Brooklyn at?” 

Lupe Fiasco repped where he was standing like Columbus wasn’t 5 hour and 30 minute drive from Lupe’s city Chicago.

“We’re in Columbus..why are you yelling a different cities’ name.”

We all wanted Lupe performances of Hip Hop Saved My Life…but we respected that Lupe kept saying Columbus..

Lupe played another couple of joints..

Then after Samurai’s Mumble Rap…

Lupe rocked, Hip Hop Saved My Life.

Hip Hop Saved My Life is about a Houston rapper who finds personal meaning and hope after recording a Rap.

I thought about Hip Hop Saved My Life.

This song was unique because Lupe, an intelligent mc wasn’t dissing Southern rap as ruining Hip Hop.

Lupe understood Hip Hop importance in culture.

I realized Lupe’s “biggest” songs 2006’s Kick Push and 2007’s Hip Hop Saved My Life avoided internal divides.

Lupe appealed into the humanities.

I haven’t quite developed a solution for the cold civil war.

I know finding an audience inside of an individual is where Lupe earned rapport.

Once someone trusts you then…you conversate into cultural change.

This reminded me of Hip Hop’s social skills.

Lupe found my soft-spot with Kick Push.

Then Lupe found some DJ Skrew loving Texan’s soul with Hip Hop Saved My Life.

I realized the beauty of the midwest.

I loved skateboarding.

I loved DJ Skrew. 

I love Hip Hop.

Lupe rocked Drill Music in Zion.

There was sequenced where Lupe went from Kick Push into rocking real hard Twista,  Wild Style took Adrenalin Rush with Drill.

Lupe looked like Cam’ron.

Lupe was in shape.

Lupe’s fade was on point.

I thought: Lupe’s speaking Midwest Bone Bone Bone…

People were throwing bows, and dancing like we were at Club Ice circa Papa Jack.

Lupe stepped back and Dead Prez’d the audience with Freedom Ain’t Free.

I was taking notes that Lupe was rhyming with breath control.

Lupe was using call and response.

While Lupe was rocking midwest hardstyles…

I wondered…

Can Lupe perform Gadget Flow live…

People were feeling Krunk…

Lupe chatted with the enthusiastic audience.

Lupe talked with Fiasco’s dejay….

DJ Smokey dropped the beat.

Lupe said…
“I’m from the best city in the whole wide world.”

Lupe paused..

Lupe yelled “Columbus!”

The dejay dropped the beat again..

‘I’m the best city in the whole wide world.’

Lupe rapped into the audience from a crouching position.

Lupe didn’t use recorded adlibs,..

Lupe’s deejay would say the lyric if Lupe stopped rapping for a second then Lupe would jump back in on beat.

I did every kind of inspection.

I looked at Lupe’s mouth. Lupe’s rapping.

I heard words.

I closed my eyes….

I watched his Deejay.

I’d determined this was one of the best live shows I’d seen.

Lupe landed everything and yelled..

“Columbus.”

Lupe talked with audience.

Lupe brought an artsy looking white girl on stage.

Lupe ballroom danced with this lady.

Within 2 minutes a really short white dude from the audience with a fitted was on stage with Lupe for Autoboto.

This white dude rapped with all the masculine aggression of a small macho man.

Lupe’s was around this short white man like they were lifelong friends.

I’m sure that little white man is still bragging..

Lupe Fiasco played Fundamentals which was Billy Blue song.

Billy Blue opened.

Billy Blue said he was Haitian at the beginning of Lupe’s set.

Billy Blue defended Haitians against haters.

Then Billy Blue rapped like Scarface in the manner Mobb Deep raps like Rakim.

Lupe’s other opener was Backwood Studio and critical acclaimed rapper Cavalier.

Cavalier’s braids and gear looked in place with Billy Blue and Lupe.

I watched Cavalier with Previous Industries earlier this year.

Cavalier is officially the flyest dressed rapper of 2024.

The second I contemplated Lupe Fiasco bumping Scarface and Raekwon…

“Touch the Sky” blared…

This was hearing a Dr. Dre song out of nowhere…

Lupe’s biggest verse references KMD, “Peach-fuzz buzz but beard on the verge”

Did I mention I love Hip Hop?

I caught a buzz and then…

I’m rapping along with Paris, Tokyo.

I started prancing in Chuck Taylor Converse.

I moved my feet so I could look at my shoes..

I walked into that room angry at everything…

2 hours later..

I’m dancing like I’m in a video.

Lupe rocked Mural out of audience request.

Next thing I know…We’re all singing like Bono.

Superstar..

“If you what you say you are..”

You can’t tell me nothing.

I’m rocking a piece.

I’m fucking an attractive naked lady.

I’m telling the white devils they white devils…

2025….let’s rock..

 Lupe played his “Smells like Teen Spirit” Meets “Stake is High.”

Lupe played the best song of all time: Daydreaming..

We’re all floating like a melancholy above everything negative..

Daydreaming isn’t the best song ever recorded in all of music.

Daydreaming is the best song ever recorded in all of music.

Daydreaming isn’t the best song ever recorded in all of music.

Daydreaming is the best song ever recorded in all of music.

I feel like reading a book while complimenting someone and noshing vegan vittles. Daydreaming is where Kanye turned back into Mos Def.

Lupe Fiasco isn’t my favorite rapper.

Lupe Fiasco is my favorite rapper.

While I’m basking in DayDreamining.

I hear Modest Mouse’s “Float On.”

Lupes rapping his hit song, The Show Must Go On.

I’m listening to Lupe rap about the Gaza Strip over Modest Mouse.

I’m thinking about what Lupe did with his Kanye fame..

Lupe’s two attempts at hit crossover songs: The Show Must Go on, and Words I Never Said.

Lupe didn’t play “Words I Never Said.”

During “Words I Never Said:

Lupe rapped over a dubstep beat almost a decade preceding popular dub step.

Lupe dissed Isreal’s treatment of Palestinians.

 Lupe’s condemns American government’s complicity in Isreal’s oppression of Palestinians.

Lupe dissed terrorists who kill people in response.

Lupe denounced the disadvantages inner-city people face…

Lupe didn’t play “Word’s I Never Said.”

Lupe played The Show Must Go On.

I’m thinking about Lupe’s visions.

Bush’s approval rating was 22 percent right before “Words I Never Said”  because of lying about the Gulf War.

“Words I Never Said’ as a single is a popular idea.

“The Show Goes On” released in 2010…

Lupe knew indie rock was popular and Israel oppression of people in Gaza was unlikable.

Lupe used the Kanye fame for success with “Kick Push” and “Hip Hop Saved My Live.”

Those other singles I love because for the strategy involved.

You wanna hit..

Ok… Fuck American’s Foreign Policy..

People hated George Bush….

I won’t speculate why Lupe didn’t play “Words I Never Said.”

I will say Lupe left the stage with me loving Daydreaming and really liking Lupe’s idea of a hit.

Lupe exited…

I thought…

Fiasco just ended his set with Modest Mouse and GAZA.

People roared…

Lupe returned for an encore…

Lupe talked with audience for second..

Lupe freestyles over “Never Forget You.”

Then Lupe rocked another Fiasco single…

“Dumb It Down.”

I wondered if we were supposed to yell, Dumb It Down as a call and response.

During this song…People chant bad advice at Lupe about making his music stupider..

Lupe said, 

“You going over people’s heads lu.. “ 

Lupe stuck out the microphone..

We were supposed to yell, Dumb It Down.

We didn’t want Lupe to dumb it down..

But it made sense because dumb it down is the hook.

I’m once again saying to myself…

Lupe Fiasco is my favorite rapper.

I wasn’t saying….. Lupe Fiasco isn’t my favorite rapper.

For the sake of the amount of rappers I like..

Lupe Fiasco is my favorite rapper.

Lupe Fiasco isn’t my favorite rapper.

Right before playing Hip Hop Save My Life…

 Lupe quoted KRS-1…

“Krs-1 said this thing we  mix of knowledge and movement.

If you’ve got knowledge than ur Hip..

If you’ve got movement you Hop..

If you mix knowledge and movement ..

You have Hip Hop..”

Entire room yelled Hip Hop…

Lupe’s December 2024 performance found elite experience in the league of KRS-1, Mos Def and Roots shows.

BSA Hip Hop 12-5-2024


BSA by Zook aka Jek 182 
BSA Hip Hop contact – wesflexner@anonrocknroll.com
Thursday
92.7 / 98. 3 ANONROCKNROLL
7pm Thursday
3rd Bass – Gasface Revisited

After an 11-year hiatus, 3rd Bass made a triumphant return to the stage tonight at DJ Cassidy’s Pass the Mic Live! event, held at the Prudential Center in Newark, NJ. The performance was part of WBLS Radio’s 50th-anniversary celebrations, where 3rd Bass performed their classic hit “The Gas Face.” This surprise reunion marked the 35th anniversary of their debut album, The Cactus Album, a release that redefined the hip-hop scene.
 
“I’m thrilled to be reunited with Pete and to be planning a 3rd Bass tour to celebrate the fans, the Bassheads, who have loyally supported our music over the last 35 years. Hip-hop has changed and evolved, but the passion and energy of our audience remains timeless. We can’t wait to relive those classic moments with the next generation,” said Serch. “Tonight was a full-circle moment for us to be on stage with DJ Cassidy, who got his start as an 11-year-old working in the studio I had set up in my attic in Queens, and now we’re on stadium stages together.”
 
“I have to credit my Van Silk for this Reunion with Serch tonight. For the past 15 years his two pet projects have been to get The Furious 5 and 3rd Bass reunited, he finally did it,” said Pete Nice. “Thanks to DJ Cassidy for making it possible for us to perform tonight along with our brothers Melle Mel and Scorpio, the men who literally created emceeing and the blueprint for Hip Hop, it is a great honor. I will have to work around my schedule as the curator at The Hip Hop Museum in the Bronx, but I look forward to the opportunity for our fans to see me, Serch and DJ Daddy Rich on stage performing together in the future.”
 
“As a young child aspiring to contribute to the culture of Hip-Hop, MC Serch and Pete Nice were not only idols, but personal mentors. Conducting their long awaited reunion during the Pass The Mic Live WBLS 50th Anniversary celebration was a serendipitous honor and a full circle moment,”
said DJ Cassidy.
Kurious – Magical Journey
Orphanage – The Return
International Criminal Court Warrants Netanyahu’s Arrest
Pete Rock w Common – Everything’s So Grand 
Fly Anakin – You Got Me!
Warrants For Arrests Issued By International Criminal Court
Denzel Curry – G’s w 2 Chainz w Mike Dimes
Bernie Sanders Advocates and 19 Democrat Vote Against Arming Isreal’s Breach of International
Human Rights Laws
Talib Kweli w J-Rawls – Native Suns Live From Jimmy Fallon w the Roots
Tyler. The Creator – Noid
3rd Bass w DJ Cassidy – Gasface @ WBLS 50th Anniversary

Bus Style Activities – Clairo Columbus Concert Review 10-20-2024

Bus Style Activites – Clairo

Wes Flexner aka ANONANONANON

anonrocknroll radio playlist

If I’ve ever existed in a singer’s demographic…

I’m in Clairo’s….

I’ve played Clairo’s songs from the Carlisle singers’ newest album CHARMED from ANONROCKNROLL.

I’m Charmed by Clairo.

I took the 2 from Campus, and jumped off near the North Market.

Clairo walked out into the sold-out Kemba Pavilion in almost a prom dress.

The original of Wu’s, “Tears” boomed into the evening.

I stood around as teenagers and College kids were enamored at a brunette from Carlisle’s entrance.

Clairo sat on the stage and drank booze with Clairo’s band while the Wu-Tang original seemed like pure essence.

I was confused why Clairo and Clairo’s band were just sitting on the stage.

Until I realized Clairo was partaking in something I’ve done a zillion times..

Bumping WU and drinking….

Clairo is like if Fiona Apple’s peer is El Michel’s Affair instead of Alanis Morrisette.

Fiona Producer John Brion equals Leon Michels in our appreciation of women who make music with an ambition of satiating those who like Nina Simone but discovered Nina Simone died in 2003.

Except she’s much younger…

Clairo’s politics are of a progressive women who collects punk records..

She follows Alexandria-Ocasio-Cortez on instagram…

She reminded me of punk girls I know…

Except instead of Punk records…

Clairo bumps records legendary rap producers sampled or would like sampling.

I’m certain Clairo owns a record player.

She’s down with the Big Crown Record community.

Big Crown is El Michal’s Affair’s label.

El Michel’s Affair covers Wu Songs with an intent of sounding Stax Records instead of Wu.

Big Crown releases music by The Roots’ Dave Guy, Lady Wray and others as well as El Michel’s Affair’s songs.

El Michel’s Affair works with Black Keys, and Black Thought of the Roots.

Clairo contains extended Columbus Culture…

I promise…

I stood their laughing because I’d walked into a sold-out venue and saw every young woman emulating someone who seemed like someone I would date.

Young women’s current role model is a pretty DSA lady who likes Vintage rap influences.

Clairo sipped a cocktail while I responded like that tape was worth 10 dollars while 10 scholars knew I would act like the…

Clairo’s and Clario’s band launched into NOMAD off of Charm.

Clairo’s band resembled a 1950’s or 1960’s band.

Clairo delivered purity. 

Clairo’s presence wasn’t of a iconic superstar.

She seemed like a young women whose political views and songs stumbled upon a stage in front of a sold-out outdoor pavilion.

Clairo’s presence appeared dazzled 5,200 people showed up while Clairo and Clairo’s band drank while bumping vintage sounds

Clairo seemed like she took a show in Columbus without knowing if people would attend.

She seemed liked an introverted, composed woman who felt relief she found understanding.

Clairo asked if we could Slow Dance with Clairo during Slow Dance…

Clairo’s flute player made you think of Andre 3000.

I realized the future of rap influence on non-rap music was doing something better than Nu Metal.

A bulk of music lessons any Hip Hop writer existed in dominated the stage from someone who 26 with a young audience.

Taylor Swift installed a record player in every young woman’s room.

Kamala Harris is playing Stevie Wonder and Mingus like I’m a freshman while figuring out records which are the essence of this dynamic culture.

Clairo was now making record digging part of a feminine allure.

Clairo played Terrapin about 9 songs in.

Her backdrop changed several

The lighting would change from a full-band with interesting instruments into illuminating Clairo as a starlet.

Clairo would walk over and played a classic keyboard.

Clairo seemed astonished and chagrined.

She thrifted this dress she thought was cute.

She owned some rare, weathered instrument which she thought was cool..

Clairo friends were really into cell phones..

Clairo owns a cellphone but thinks records, and instruments look and sound cool…

People thought Clairo was strange….

….For learning about something she wanted as a dream vocation.

Clairo played Amoeba which isn’t about Amoeba Record Store but still adds into truth: Vinyl outlasted the CD.

Clairo then sang, “Happy Birthday,”

It wasn’t my birthday but everything felt like I’m celebrating my birthday.

Who would’ve known…

Clairo jumped into van um…a tourbus…

5,200 people showed up…

It was funny the amount of women who resembled Clairo everywhere.….

I feel like comparing Clairo and Erykah Badu wouldn’t be exact…

Clairo’s prom dress changed into raincoat while crooning anonanonanonanon and on in front of a cosmic backdrop.

I discovered this song name: 4 Eva.

Clairo felt like if Badu and BJORK were a shy suburban girl who liked Jane Birkin ….and made bedroom pop..

Clairo’s show was already the quality Charm implied.

Clario soon launched into Sexy2Someone which is about a need for coveting.

Bustown’s outdoor pavilion sung along.

Clairo’s show finale was Juna.

Clairo entered with a cocktail while conjuring Wu.

Clairo left the stage after playing Clairo’s most popular songs.

I walked into the Short North while looking at Kamala voting signs.