Wes Flexner’s Rock N Roll Show 10-1-2025


anon flyer
El Hajj El Malik El Shabbazz Speaks About Palestine
Turnstile – Mystery
Bus Stile Adventures: 


Turnstile Columbus, Ohio 9-23-2025 Kemba Live



by Wes Flexner aka ANONANONANON




Turnstile’s singer Brenden Yates singer thanked Columbus for Turnstile’s bassist Franz Lyons towards the finale of Turnstile’s Kemba live outdoor show. 
Turnstile’s set in front of 5,200 people under the heavens started with the embracing ambiance of Never Enough which thundered once the guitars, and drums kicked in.
Kids moshed with a collective exuberance after the introduction pronounced allure of hardcore’s promise.


Turnstile is from Baltimore. 
Franz is from Columbus.
I’d watched Turnstile’s last Columbus show in front of a sold-out Kemba indoor show of 2,300 people in 2022.
Turnstile doubled their Columbus audience and then some.
Kemba’s new attendees included people who knew Franz but weren’t familiar with Turnstile’s music.
LOD Embassy Boardshop Columbus was now accompanied by Cafe Bourbon Street alumni circa 2009, Old Town East skateboarding, and over 5000 thousand teenagers.
Walking around Turnstile’s show was  kinda like Comfest meets Camp Flog.
Three 6 Mafia w Lil Noid – Ridin in The Chevy
Gorilla Biscuits – Degradation
Karma-Ann Swanepoel – Once
Weedsteeler
Mavis Staples + William Bell – Strung Out Over You
Weedsteeler
Joi w Sleepy Brown – Lick
Weedsteeler
Barry White – It’s Only Love Doing Its Thing
Weedsteeler
Wizzard – Meet Me At Jailhouse
Black Keys w Beck w Juicy J – Paper Crown

92.7 / 98.3 wcrsfm.org  
Wednesdays 7pm
wesflexner@anonrocknroll.com
Weedsteeler
Turnstile – Never Enough

Shawn from Vomitrocity/Weedsteeler + Franz Lyons of Turnstile  9-23-2025 Columbus, Ohio

2022 Turnstile indoor show was in support of Turnstile’s album Glow-On 
2025’s outdoor show was in support of Never Enough.
Never Enough showed a new discovery in post-hardcore compositions.
Turnstile added the understanding of 70’s jazz textures and Eno in melody.
Turnstile’s frosting is likely derived from working with Badbadnotgood and Blood Orange.
Badbadnotgood is a Canadian jazz band who covers DJ Premier, J-Dilla, and Tribe Called Quest. Badbadnotgood worked with Wu’s  Ghostface, Earl Sweatshirt, Danny Brown and Tyler, the Creator.
Turnstile didn’t imitate legendary samples. Turnstile understood why these sounds worked in feeling and arrangement.
Turnstile’s other like minded collaborator Dev Hynes, and Blood Orange opened for Turnstile. 
Dev Hynes sounds like if Prince, and Micheal Jackson made lounge music for various 70’s films.
Turnstile innovated: if you need music between mosh riffs….what should it sound like?
As Turnstile pleased Kemba with Never Enough, TLC, Endless, I Care/Dull, and Don’t Play
I realized Turnstile had solved the 311 problem.
Turnstile is a heavy band who like compositional arrangements
During Turnstile’s Real Thing… I realized the root of Turnstile’s 311 problem: Fugazi.
Franz plays a bass line influenced by Joe Lally of Fugazi.
Fugazi took 3 chord punk into jazz fusion.
Turnstile is known as the world’s most popular hardcore band.
I watch Turnstile every couple of years.
Turnstile tours every continent every evening while I’m walking around Columbus, Ohio.
The most logical insult for a hardcore band with musical moments.
311…
If 311 fans attend Turnstile shows..
I assure you Turnstile welcomes you as people.
Turnstile wouldn’t be the world’s more popular hardcore band if it wasn’t for Fugazi’s influence on punk culture.
Theme From Soap
Rip Assata Shakur
BadBadnotgood – Mass Appeal
Turnstile – Sailin
Fugazi is why Turnstile shows are fun for high school kids.
Fugazi were against violence, sexism, homophobia, and racism.
Fugazi play all ages shows in an ecosystem conducive for nurturing organisms.
Franz Lyons is a product of the Legion of Doom punk community, and the Daymon Dodson Hip Hop community.
People can mosh without violence escalating
Franz’s understanding of fun interacted well with Baltimore youth culture which is known for Baltimore Club dance music, and a hardcore scene with a proximity near Washington DC’s Dischord/Fugazi community.


Does dancing with Lynn Collins energy meets Margin Walker sound fun?
Hardcore Is dance music …mosh mosh mosh.


Turnstile continued with Drop, Light Design, Come Back For More/Fazed Out, Sunshower, 7, Keep it Moving, Pushing Me Away, Fly Again, and Seein Stars.
I walked up into the highest part in Kemba so I could see if large audience killed the fun.


Outdoor moshing didn’t decrease fun.


Franz started his hardcore existence in basements of 20 people.. 
Turnstile’s circle pit during Sole was backed up with people standing in a field waving their arms which filled Kemba’s amphitheater.
I looked at ardent girls who were jumping up and down with excitement.


Turnstile crushed from everywhere in Columbus open air.
I realized Turnstile’s hardcore circle pit sections were thrash.


Metallica play stadiums.  Metallica is music’s biggest draw.
Turnstile’s newest member Meg Mills muted chords and fragmented solo riffs were oscillating with an intense precision.
I’m viewing a lady head-banging ripper.


During Holiday I laughed. I walked around the entire periphery during the next song.
I realized Turnstile understood the logical progression for a professional hardcore band is thrash. 
 Turnstile were now a live Thrash band with snippets which understood Badbadnotgood, and Blood Orange’s proto- Hip Hop inspiration.


Meg Mills riffs churned in a miniskirt.
Blood Orange then joined Turnstile for Alien Love Call.
Turnstile’s new wave sounds worked with a disco-ball lighting which understood why Charlie XCX fans gravitate into arena techno settings while Turnstile sounded like Talking Heads or Duran Duran instead of Tiesto.
Turnstile’s drummer Daniel Fang  switched up the rhythms. 
I saw kids mosh while Daniel Fang played a drum solo with an almost Eddie Palmieri swing.


Turnstile’s singer Brendon Yates then yelled:
FREE PALESTINE as the introduction music for Mystery permeated our circumference. 
The entire KEMBA screamed in a futile victory which didn’t feel futile.
Thrash boomed from Meg Mills fret while Mystery’s expose commenced.


Meg Mills riffs were FREEING PALESTINE.
Franz Lyons’ bass lines were FREEING PALESTINE.
My friend FRANZ LYONS FREEED PALESTINE..
DIY COLUMBUS CULTURE’S FRANZ LYONS FREED PALESTINE.
Daniel Fang’s drumming FREED PALESTINE.
Pat McCory’s riffs were freeing Palestine.
Brendon Yates just declared FREE PALESTINE in Columbus, Ohio.
We all agreed. 
PALESTINE was now FREE.


Turnstile’s truth opened the road for a two state solution with a functional economy, and electoral process.
Texas oil oligarchs were notified by Muslim oil oligarchs.
Meg Mills Riffs inspired Allah’s intervention.
Oil prices skyrocket if Allah’s people suffer.
Putin’s oil power was used in a marxist human solidarity.
Israel agreed Meg Mill’s fretwork found riffs in sync with humanity.
Netanyahu was replaced with a leader who reflects a progressive ruach.
Israel has socialized healthcare. Our taxpayers fund genocide. 
Texas oil companies and Benjamin Netanyahu were outvoted by Allah, Yahweh, Karl Marx, America’s population and Joe Lally.
PALESTINE was now FREE.


Meg Mills riffs changed everything. Meg Mills riffs reminded everyone of ideal purity of every culture in existence.


Welp, Mystery at least showed a simple idea was understood.


Benjamin Netanyahu’s exploitive imperialism and Hamas rapists are both horrible and bad faith. Benjamin Netanyahu’s exploitive imperialism and Hamas rapists gave us ICE raids, a looming recession and an opinion about Charlie Kirk.


Turnstile’s audience knew…You can’f fool the youth. 


People in Palestine shouldn’t be decimated for implementations of fascism.


I found myself jumping up and down.
YOU CAN’T FOOL THE YOUTH.
The Truth is out there.
Turnstile then rocked Blackout.
Turnstile freed Palestine. 


We all saw Turnstile Free Palestine in Columbus, Ohio.
Turnstile’s finale was Birds which sounds like Lupe Fiasco’s Dumb it Down introduction leading into Fearless Vampire Killers by Bad Brains.




PS. 
Turnstile didn’t Free Palestine 9/23/2025 despite Turnstile’s alignment with truth.
Turnstile’s understanding of truth could Free Palestine!
If the new generation Frees Palestine with social movements and everyone voting……
Did Turnstile Free Palestine 9-23-2025? 
Did Turnstile deliver hardcore’s promise 9-23-2025 in Columbus?

December 20, 2024 Review: Lupe Fiasco Columbus, Ohio Concert

Lupe Fiasco December 20, 2024

Lupe Fiasco’s Bustown’s show again reminded me of Hip Hop’s potential.

Lupe’s show started with Lupe rocking Number 1 Headband off Fiasco’s album 2024 album Samurai.

Number 1 Head Band starts with Lupe jazz humming into a chorus…“a little bit of bone bone bone”  which conjured Ella Fitzgerald’s influence on FreeStyleFellowshipThugzNHarmony in the MiddleofBarnintoA$ap Rocky etc in 10 seconds and arrives at a Charli XCX Brat’s reference.

Columbus Atheneum was filled with people and positive energy.

Columbus Athenaeum … packed.

I sat in the seats….arenas and smart tv have changed my preferred concert settings.

I sometimes find the front of the audience.

Other times I sit down and enjoy the show.

I find concerts cerebral participation.

The importance of Lupe’s vibrance December 20, 2024.

Kamala Harris reminded me of Hip Hop’s potential.

Then after that election…

I felt a tremendous disappointment in the amount of liars and bigots.

I felt like Holden Caulfield reading books about Cointelpro.

I like rap.

I like punk.

 I like women.

Lupe played Palaces off Samurai.

I knew the lyrics.

Everyone in the room knew the lyrics.

As of November 6, 2024,  I don’t like people except everyone at the Lupe concert.

We were sent into a time before Obama….

I’d became a teenage skateboarder……

I’m writing books about a new Cointelpro which I’ve determined is also a psyops..

After that election…

I’m sitting in my living room.

I’m a teenager.

I want naked ladies, food and rap.

Friday night, I’m sitting in Columbus Athenaeum which makes every concert feel special.

I’m watching a room full of Hip Hoppers who are excited about Lupe Fiasco in 2024.

Lupe’s audience is predominantly young black people.

I’m watching Lupe’s delivering Hip Hop’s promise.

A dope mc transcends any context.

We’re all being reminded..

Hip Hop defeated white supremacy several times without quite as much people power.

Lupe’s song Samurai off his latest album’s Samurai receives a similar response.

People know Lupe’s new album line for line.

Lupe was once on Kanye’s 2004 Touch the Sky.

Lupe isn’t riding a platinum feature in 2024.

Everyone in that room knew Lupe’s new music.

Lupe then raps, Kick Push.

I’d forgotten Lupe released a song about skateboarding.

Lupe’s manages a discussion about relationships in the midst of individualistic passions.

I’m wondering if Virgil played Jesus Lizard for Ye, and Lupe.

Lupe’s audience is much younger than Virgil’s late 80’s skating..

Virgil’s importance was taking 80’s skating iconography into 2016 Hip Hop fashion.…

Regardless if you like Glenn Friedman, or Atiba Jefferson’s images of teenage rebellious creativity…

Lupe describes something every skaters’ experiences.

Police kick skaters out of skate spots..

Romance..

Passion…

Lupe’s music, and raps were clear, crisp while the simple melody and drums reminded everyone of liking something.

I’m really angry about people participating in lies, white supremacy and misogyny renewing a 4 year commitment into something I wasn’t ever interested in.

Kick Push reenforced my instincts of counterculture’s beauty.

During the show…someone kept yelling H-Town..

Lupe acted annoyed at the interruption …

Lupe acted like someone showed up in Chicago screaming “Where Brooklyn at?” 

Lupe Fiasco repped where he was standing like Columbus wasn’t 5 hour and 30 minute drive from Lupe’s city Chicago.

“We’re in Columbus..why are you yelling a different cities’ name.”

We all wanted Lupe performances of Hip Hop Saved My Life…but we respected that Lupe kept saying Columbus..

Lupe played another couple of joints..

Then after Samurai’s Mumble Rap…

Lupe rocked, Hip Hop Saved My Life.

Hip Hop Saved My Life is about a Houston rapper who finds personal meaning and hope after recording a Rap.

I thought about Hip Hop Saved My Life.

This song was unique because Lupe, an intelligent mc wasn’t dissing Southern rap as ruining Hip Hop.

Lupe understood Hip Hop importance in culture.

I realized Lupe’s “biggest” songs 2006’s Kick Push and 2007’s Hip Hop Saved My Life avoided internal divides.

Lupe appealed into the humanities.

I haven’t quite developed a solution for the cold civil war.

I know finding an audience inside of an individual is where Lupe earned rapport.

Once someone trusts you then…you conversate into cultural change.

This reminded me of Hip Hop’s social skills.

Lupe found my soft-spot with Kick Push.

Then Lupe found some DJ Skrew loving Texan’s soul with Hip Hop Saved My Life.

I realized the beauty of the midwest.

I loved skateboarding.

I loved DJ Skrew. 

I love Hip Hop.

Lupe rocked Drill Music in Zion.

There was sequenced where Lupe went from Kick Push into rocking real hard Twista,  Wild Style took Adrenalin Rush with Drill.

Lupe looked like Cam’ron.

Lupe was in shape.

Lupe’s fade was on point.

I thought: Lupe’s speaking Midwest Bone Bone Bone…

People were throwing bows, and dancing like we were at Club Ice circa Papa Jack.

Lupe stepped back and Dead Prez’d the audience with Freedom Ain’t Free.

I was taking notes that Lupe was rhyming with breath control.

Lupe was using call and response.

While Lupe was rocking midwest hardstyles…

I wondered…

Can Lupe perform Gadget Flow live…

People were feeling Krunk…

Lupe chatted with the enthusiastic audience.

Lupe talked with Fiasco’s dejay….

DJ Smokey dropped the beat.

Lupe said…
“I’m from the best city in the whole wide world.”

Lupe paused..

Lupe yelled “Columbus!”

The dejay dropped the beat again..

‘I’m the best city in the whole wide world.’

Lupe rapped into the audience from a crouching position.

Lupe didn’t use recorded adlibs,..

Lupe’s deejay would say the lyric if Lupe stopped rapping for a second then Lupe would jump back in on beat.

I did every kind of inspection.

I looked at Lupe’s mouth. Lupe’s rapping.

I heard words.

I closed my eyes….

I watched his Deejay.

I’d determined this was one of the best live shows I’d seen.

Lupe landed everything and yelled..

“Columbus.”

Lupe talked with audience.

Lupe brought an artsy looking white girl on stage.

Lupe ballroom danced with this lady.

Within 2 minutes a really short white dude from the audience with a fitted was on stage with Lupe for Autoboto.

This white dude rapped with all the masculine aggression of a small macho man.

Lupe’s was around this short white man like they were lifelong friends.

I’m sure that little white man is still bragging..

Lupe Fiasco played Fundamentals which was Billy Blue song.

Billy Blue opened.

Billy Blue said he was Haitian at the beginning of Lupe’s set.

Billy Blue defended Haitians against haters.

Then Billy Blue rapped like Scarface in the manner Mobb Deep raps like Rakim.

Lupe’s other opener was Backwood Studio and critical acclaimed rapper Cavalier.

Cavalier’s braids and gear looked in place with Billy Blue and Lupe.

I watched Cavalier with Previous Industries earlier this year.

Cavalier is officially the flyest dressed rapper of 2024.

The second I contemplated Lupe Fiasco bumping Scarface and Raekwon…

“Touch the Sky” blared…

This was hearing a Dr. Dre song out of nowhere…

Lupe’s biggest verse references KMD, “Peach-fuzz buzz but beard on the verge”

Did I mention I love Hip Hop?

I caught a buzz and then…

I’m rapping along with Paris, Tokyo.

I started prancing in Chuck Taylor Converse.

I moved my feet so I could look at my shoes..

I walked into that room angry at everything…

2 hours later..

I’m dancing like I’m in a video.

Lupe rocked Mural out of audience request.

Next thing I know…We’re all singing like Bono.

Superstar..

“If you what you say you are..”

You can’t tell me nothing.

I’m rocking a piece.

I’m fucking an attractive naked lady.

I’m telling the white devils they white devils…

2025….let’s rock..

 Lupe played his “Smells like Teen Spirit” Meets “Stake is High.”

Lupe played the best song of all time: Daydreaming..

We’re all floating like a melancholy above everything negative..

Daydreaming isn’t the best song ever recorded in all of music.

Daydreaming is the best song ever recorded in all of music.

Daydreaming isn’t the best song ever recorded in all of music.

Daydreaming is the best song ever recorded in all of music.

I feel like reading a book while complimenting someone and noshing vegan vittles. Daydreaming is where Kanye turned back into Mos Def.

Lupe Fiasco isn’t my favorite rapper.

Lupe Fiasco is my favorite rapper.

While I’m basking in DayDreamining.

I hear Modest Mouse’s “Float On.”

Lupes rapping his hit song, The Show Must Go On.

I’m listening to Lupe rap about the Gaza Strip over Modest Mouse.

I’m thinking about what Lupe did with his Kanye fame..

Lupe’s two attempts at hit crossover songs: The Show Must Go on, and Words I Never Said.

Lupe didn’t play “Words I Never Said.”

During “Words I Never Said:

Lupe rapped over a dubstep beat almost a decade preceding popular dub step.

Lupe dissed Isreal’s treatment of Palestinians.

 Lupe’s condemns American government’s complicity in Isreal’s oppression of Palestinians.

Lupe dissed terrorists who kill people in response.

Lupe denounced the disadvantages inner-city people face…

Lupe didn’t play “Word’s I Never Said.”

Lupe played The Show Must Go On.

I’m thinking about Lupe’s visions.

Bush’s approval rating was 22 percent right before “Words I Never Said”  because of lying about the Gulf War.

“Words I Never Said’ as a single is a popular idea.

“The Show Goes On” released in 2010…

Lupe knew indie rock was popular and Israel oppression of people in Gaza was unlikable.

Lupe used the Kanye fame for success with “Kick Push” and “Hip Hop Saved My Live.”

Those other singles I love because for the strategy involved.

You wanna hit..

Ok… Fuck American’s Foreign Policy..

People hated George Bush….

I won’t speculate why Lupe didn’t play “Words I Never Said.”

I will say Lupe left the stage with me loving Daydreaming and really liking Lupe’s idea of a hit.

Lupe exited…

I thought…

Fiasco just ended his set with Modest Mouse and GAZA.

People roared…

Lupe returned for an encore…

Lupe talked with audience for second..

Lupe freestyles over “Never Forget You.”

Then Lupe rocked another Fiasco single…

“Dumb It Down.”

I wondered if we were supposed to yell, Dumb It Down as a call and response.

During this song…People chant bad advice at Lupe about making his music stupider..

Lupe said, 

“You going over people’s heads lu.. “ 

Lupe stuck out the microphone..

We were supposed to yell, Dumb It Down.

We didn’t want Lupe to dumb it down..

But it made sense because dumb it down is the hook.

I’m once again saying to myself…

Lupe Fiasco is my favorite rapper.

I wasn’t saying….. Lupe Fiasco isn’t my favorite rapper.

For the sake of the amount of rappers I like..

Lupe Fiasco is my favorite rapper.

Lupe Fiasco isn’t my favorite rapper.

Right before playing Hip Hop Save My Life…

 Lupe quoted KRS-1…

“Krs-1 said this thing we  mix of knowledge and movement.

If you’ve got knowledge than ur Hip..

If you’ve got movement you Hop..

If you mix knowledge and movement ..

You have Hip Hop..”

Entire room yelled Hip Hop…

Lupe’s December 2024 performance found elite experience in the league of KRS-1, Mos Def and Roots shows.